Department of Opera & Musical Theatre (2024)

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The Department of Opera & Musical Theatre is a beacon with special charisma and appeal. Every year, two opera classes consisting of up to 15 highly talented students are prepared by renowned theatre makers for the high demands of an international opera career. Four staged opera productions with orchestra are performed annually in a theatre equipped to the highest technical standards.

Mirabellplatz 1
5020 Salzburg

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Current productions

  • 26.8.—2.9.2024

    Teatro dei Rinnovati

    Baroque Summer Academy Siena

    Since 2021, the Baroque Summer Academy of the Early Music Department of the Mozarteum University has been taking place in the city of Siena in Italy as part of the renowned Accademia Musicale Chigiana. For one week, the department's team of lecturers offers intensive masterclasses.

    Summer course

To the event calendar

Courses

Music Opera

Master Postgraduate certificate

News

  • On spaces and interstices in Mozart's „Le nozze di Figaro“
    Department of Opera & Musical Theatre (2)

    13.6.2024

    On spaces and interstices in Mozart's „Le nozze di Figaro“

    Mozart's „Le nozze di Figaro“ will celebrate its premiere on 18 June in the Max Schlereth Saal at Mozarteum University. The director of the production, Alexander von Pfeil, and set designer Thorben Schumüller talk about the creation process, inspirations and the opera's major themes: hierarchies, power relations, gender roles...

    Interview

  • Falstaff - A perfect comedy
    Department of Opera & Musical Theatre (3)

    8.5.2024

    Falstaff - A perfect comedy

    On 15 May, Giuseppe Verdi's last opera Falstaff celebrates its premiere under the musical direction of Kai Röhrig and directed by Florentine Klepper. The two artists provide exciting insights into the production and its creation in a double interview.

    Interview

  • On the sensual telling of stories
    Department of Opera & Musical Theatre (4)

    15.4.2024

    On the sensual telling of stories

    Florentine Klepper has been Professor of Music Drama (scenic) at the Department of Opera & Music Theatre since the summer semester 2024. In the interview, she provides insights into her working methods, previous and ongoing projects and shares her thoughts on the various facets of music theatre.

    Interview

  • "I was inspired to become a better performer"
    Department of Opera & Musical Theatre (5)

    18.3.2024

    "I was inspired to become a better performer"

    The singers Donata Meyer-Kranixfeld and Génesis Beatriz López Da Silva provide insights into their everyday studies at the Department of Opera & Music Theatre at the University Mozarteum. A conversation about the highs and lows on the path to becoming an opera singer.

    Interview

More news

© Wolf Silveri

Past productions

Production Archive

Learn more!

Media library

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Giuseppe Verdi: Falstaff

Department of Opera & Musical Theatre (7)

Video

Opera

18.5.2024

Giuseppe Verdi: Falstaff

Hans Werner Henze: Elegie für junge Liebende

Department of Opera & Musical Theatre (8)

Video

Opera

30.1.2024

Hans Werner Henze: Elegie für junge Liebende

MOZClassic charity concert

Department of Opera & Musical Theatre (9)

Video

Concert

14.11.2023

MOZClassic charity concert

Department of Opera & Musical Theatre (10)

Video

Opera

27.6.2023

W. A. Mozart: Così fan tutte

Department of Opera & Musical Theatre (11)

Video

Opera

19.5.2023

W. A. Mozart: Così fan tutte

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People

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Gernot Sahler
Department of Opera & Musical Theatre (12)
Gernot Sahler

Univ.-Prof. of Opera and Music Theatre

Senate

Department Head

Faculty

Kai Röhrig
Department of Opera & Musical Theatre (13)
Kai Röhrig

Univ..Prof. for Musical Dramatic Representation (musical)

Deputy Department Head

Faculty

Curriculum Committee

Florentine Klepper
Department of Opera & Musical Theatre (14)
Florentine Klepper

Univ.-Prof. for Music Drama Performance

Faculty

Alexander von Pfeil
Department of Opera & Musical Theatre (15)
Alexander von Pfeil

Univ.-Prof. for Musical Dramatic Representation (scenic)

Faculty

Julia Antonovitch
Department of Opera & Musical Theatre (16)
Julia Antonovitch

Vertragslehrerin for musical rehearsal

Faculty

Chariklia Apostolu
Department of Opera & Musical Theatre (17)
Chariklia Apostolu

Vertragslehrerin for musical rehearsal

Faculty

BR 1

Fernando Araujo
Department of Opera & Musical Theatre (18)
Fernando Araujo

Senior Lecturer for musical rehearsal

Faculty

Ulrike Arp
Department of Opera & Musical Theatre (19)
Ulrike Arp

Senior Lecturer for Speech & Dialogue

Faculty

Dariusz Burnecki
Department of Opera & Musical Theatre (20)
Dariusz Burnecki

Vertragslehrer for musical rehearsal

Faculty

Magdalena Elisabeth Croll
Department of Opera & Musical Theatre (21)
Magdalena Elisabeth Croll

Senior Artist in the Artistic Operations Office

Faculty

Employee

Natalie Forester
Department of Opera & Musical Theatre (22)
Natalie Forester

Acting training teacher

Faculty

Florence Gautier
Department of Opera & Musical Theatre (23)
Florence Gautier

Lektorin for French (phonetics & pronunciation)

Faculty

Lenka Hebr
Department of Opera & Musical Theatre (24)
Lenka Hebr

Senior Lecturer for musical rehearsal

Faculty

Kyung Hwa Kang
Department of Opera & Musical Theatre (25)
Kyung Hwa Kang

Senior Artist for Basic Music Dramatic Education

Faculty

Employee

Malte Krasting
Department of Opera & Musical Theatre (26)
Malte Krasting

Lektor for project-related dramaturgy

Faculty

Margit Legler
Department of Opera & Musical Theatre (27)
Margit Legler

Lektorin for historical scenic-gestural performance practice

Faculty

Agnieszka Lis
Department of Opera & Musical Theatre (28)
Agnieszka Lis

Senior Lecturer / Scenic assistance

Faculty

Niuniu-Miao Liu
Department of Opera & Musical Theatre (29)
Niuniu-Miao Liu

Senior Lecturer for Musical Rehearsal/Correpetition

Faculty

Jutta Christine Martens
Department of Opera & Musical Theatre (30)
Jutta Christine Martens

Lektorin for mask

Faculty

Theresa Bridget McDougall-Oeser
Department of Opera & Musical Theatre (31)
Theresa Bridget McDougall-Oeser

Senior Lecturer for musical rehearsal

Faculty

Stefan Müller
Department of Opera & Musical Theatre (32)
Stefan Müller

Senior Lecturer for Musical Rehearsal

Faculty

Martina Peter-Bolaender
Department of Opera & Musical Theatre (33)
Martina Peter-Bolaender

Lektorin for Movement

Faculty

Antonia Pumberger
Department of Opera & Musical Theatre (34)
Antonia Pumberger

Senior Artist / Scenic assistance

Faculty

Fausto Tuscano
Department of Opera & Musical Theatre (35)
Fausto Tuscano

Senior Lecturer for Italian

Faculty

Heiko Voss
Department of Opera & Musical Theatre (36)
Heiko Voss

Lector for project-related dramaturgy

Faculty

Volker Wahl
Department of Opera & Musical Theatre (37)
Volker Wahl

Senior Lecturer for Music Dramatic Design

Faculty

Susanne Krabath
Department of Opera & Musical Theatre (38)
Susanne Krabath

Office Vocal Studies, Oper & Music Theatre

Employee

Elke Walter
Department of Opera & Musical Theatre (39)
Elke Walter

Office Vocal Studies, Opera & Music Theatre

Employee

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Department of Opera & Musical Theatre (2024)

FAQs

Is the Manhattan School of Music hard to get into? ›

This means that out of all students who apply to attend the Manhattan School of Music, around 30% are generally offered admission. Competition for admission is intense, as the Manhattan School of Music seeks to admit the most musically gifted and dedicated applicants to its programs.

What is the difference between opera and musical theatre? ›

Operas are primarily sung with no spoken dialogue while most musicals intersperse songs with spoken dialogue. The “classical” singing style in opera has remained virtually unchanged since its inception, while singing in musicals evolves based upon popular music.

Is Montclair a good school for musical theatre? ›

“Montclair State was the right choice for me because of the exceptional musical theatre training, nurturing environment, as well as its proximity to New York City and all the opportunities the city has to offer. There's no question that I made the right decision.”

What are the three types of operas? ›

If you happen to go to the opera one night, you are bound to stumble upon any one of the five most common types of opera still performed today in opera houses around the world. They are: Opera seria, opera buffa, opera semiseria, opéra comique, and grand opéra.

Is Juilliard better than Manhattan School of Music? ›

Academically, both schools maintain a high-standard music education with exceptional faculty members. While Juilliard has a more prestigious reputation, you'll still receive an outstanding education and strong connections in the industry at MSM.

What is the hardest music school to get into in the US? ›

Curtis Institute of Music

Curtis is likely the most selective conservatory in the country. Live auditions are required, and only four to 11 percent of applicants are accepted each year.

Is Les Misérables a musical or opera? ›

It is a musical best classified as a megamusical due to its lack of dialogue and European style. It could be classified as a pop opera rather than megamusical for this very reason, but it uses vocal techniques similar to musical theater and pop singers rather than operatic training despite its classical composition.

Are Broadway singers classically trained? ›

While many Broadway stars study classical and operatic technique, the vocal styles used in each are hugely different from one another.

Is Hamilton a musical or an opera? ›

An American Musical

From its opening, Hamilton received near-universal acclaim. It premiered off-Broadway on February 17, 2015, at the Public Theater in Lower Manhattan, with Miranda playing the role of Alexander Hamilton, where its several-month engagement was sold out.

What is the hardest musical theatre school to get into? ›

HIGHLY COMPETITIVE PROGRAMS
  • Baldwin-Wallace University + Berea, Ohio (BMus MT)
  • Carnegie-Mellon University *+# Pittsburg, Pennsylvania (BFA Drama: MT or Acting)
  • Elon University +# Elon, North Carolina (BFA MT or Acting)
  • Emerson College Boston, Massachusetts (BFA MT or Acting) SPOTLIGHT.

Which college has the best musical theater program? ›

Best Colleges for Musical Theater
  • Carnegie Mellon University.
  • New York University.
  • Yale University.
  • University of Michigan.
  • Northwestern University.
  • Syracuse University.
  • Emerson College.
  • Juilliard School.
Apr 14, 2024

What degree should I get for musical theatre? ›

A Bachelor of Arts or Bachelor of Fine Arts with a major in musical theater is a 4-year performing arts degree consisting of courses in singing, dancing and acting for the stage.

Who is the best opera singer of all time? ›

Top 10 Opera Singers You Should Know
  • Luciano Pavarotti. Luciano Pavarotti is undeniably acknowledged as one of the preeminent tenors in the history of opera. ...
  • Maria Callas. ...
  • Andrea Bocelli. ...
  • Renée Fleming. ...
  • Plácido Domingo. ...
  • Joan Sutherland. ...
  • Dmitri Hvorostovsky. ...
  • Jessye Norman.
Nov 22, 2023

What is the most famous opera company in the United States? ›

Metropolitan Opera House, NYC.

What is a tragic opera called? ›

Opera seria definition: As the name suggests, opera seria is serious opera that focuses on more weighty or historical subjects and usually ends in tragedy.

What GPA do you need for Manhattan School of Music? ›

GPA. MSM's recommended minimum GPA is 3.0 or its equivalent.

What GPA do you need for Manhattan? ›

With a GPA of 3.63, Manhattan College requires you to be above average in your high school class. You'll need at least a mix of A's and B's, with more A's than B's.

Is Manhattan College hard to get into? ›

The acceptance rate at Manhattan College is 82.3%.

In other words, of 100 students who apply, 82 are admitted. This means the school is not selective.

Do you have to audition for Manhattan School of Music? ›

Classical Audition Requirements

The objective is to demonstrate the applicant's level of proficiency, both musically and technically. Memorization is required for all students, with the exception of woodwinds and brass.

References

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